****************Conclusion of the Arc of America, Writer thoughs and experience sharing***************
Evilness, the all-consuming power that holds sway over life and death. by ArkangelID
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To the Reader: Closing the America Arc

This marks the conclusion of the first arc of the novel: the America Arc. With Carilora now fully integrated into Aido's harem, we prepare to embark on the next chapter of this journey—the Africa and India Arc. Unlike the first arc, the number of Aido’s partners will not increase in the upcoming chapters. Instead, Aido and the girls will meet other characters and witness their love and relationships develop in different ways, reflecting dynamics outside of their own bonds. Aido will face, for the first time, the stark reality of slavery, envy, arrogance, and other clichés often associated with those who wield unchecked power in a world plagued by despair. While the mutated beasts and the princes of hell remain central to the narrative, the true threats will shift, and the princes will continue to operate from the shadows, creating the illusion that they are not the root cause of the chaos.

Here are the key takeaways from the America Arc as we transition into the next phase of the story:

  1. Aido’s Growth as a Character:
    Aido has grown into a kind-hearted young man, deeply loved by those around him. However, he understands the value of things through the pain of loss. The experiences he has gained shape his journey and his approach to the challenges ahead.

  2. Establishing Relationships:
    The arc establishes Aido’s relationships with the women in his life and highlights their significance to him. These bonds form the emotional foundation of the story and Aido's motivation as he moves forward.

  3. The Lore of the Retter Messiah:
    The Retter Messiah lore has been introduced, planting the seeds for its deeper exploration in the Africa and India Arc. There, Carilora will guide Aido into unlocking memories of his past life as they travel across the seas together.

  4. Aido’s Life Beyond Conflict:
    Aido’s life is not defined solely by battles. He grows, studies, eats, experiences intimacy, and loves deeply. By the end of this arc, all of his partners—except for Carilora—are pregnant, reflecting the culmination of his devotion and love. Carilora herself will share this experience in the next arc.

  5. A Contrast Between Worlds:
    The world where Aido has grown up is portrayed as a bastion of goodness and civility, providing him with a moral compass, ideals, and expectations. Yet, it also sows seeds of doubt, as he begins to question what kind of person he must become to fulfill his great destiny.

  6. The Introduction of the Heaven Saga and Multiverse Connections:
    Aido’s recurring dreams are revealed to hold dual significance, acting as memories of his past life while also showing real-time events happening elsewhere. For example, Rick—one of his counterparts—is still on the run, preparing to fight against the demon invasion while simultaneously contending with the insectoid forces. These dreams lay the foundation for the Heaven Saga and the larger Multiverse Saga, key components of the overarching narrative leading to the climactic battle for all existence.

As we move forward into the Africa and India Arc, the stakes will grow higher, and Aido will face trials that challenge not only his strength but also his understanding of humanity, morality, and destiny. The threads woven in this first arc will connect to the larger tapestry of the story, creating a narrative that bridges worlds, timelines, and dimensions.

Thank you for accompanying Aido on this first part of his journey. The road ahead is long and treacherous, but it is also filled with growth, discovery, and the promise of something greater. Let’s continue this adventure together.

- End of the America Arc

 

The last dream I had was strange—a conversation with Lucifer. I asked him directly how to achieve immortality, how to truly make it possible. But instead of answering, he gave me evasive riddles, then transformed into a fly before flying off. It was bizarre. The following night, I dreamed of yet another apocalypse, as is becoming disturbingly routine. This time, I tried to eat demons—or at least, malignant entities—who were possessing the people I was supposed to save. But before I could figure out what that even meant, the dream abruptly ended.

As I’ve mentioned before, this story is rooted in a mix of my technical knowledge, ideological musings, things I’ve read, personal experiences, and, of course, my dreams. Speaking of dreams, only two characters consistently appear: Ninaies, who is supposed to be the “main” one, and occasionally Alidia—though always her older version, not her loli form. In those dreams, I’m almost always trying to save them from something.

Here’s the strangest part: if I were to say who I see myself as in these dreams, it’s not Aido. It’s Ninaies. yah she is my selfinsert, its not obvious unless you have been beside me or playing with me, yah Character name is Ninaies, I was semi famous in mmrpgs from Korea but NA servers. Yes, the character who is supposed to represent me most closely isn’t the male hero I wish to be—it’s her. Aido, on the other hand, represents my ideal self: someone who embodies the best traits of heroes and antiheroes, but reimagined the way I believe they should be. Ninaies, meanwhile, is more reflective of who I really am—imperfect, hesitant, and trying to make sense of things as they happen.

And is there a “Rina” in real life? Yes, there was. She was clingy, kind of an airhead, but someone who stuck around for a time. In the end, she moved on, and things didn’t go well for her afterward. As for Luyira, though she was created in the original version of this story—back when it existed on a hard drive that got destroyed—I’ve only dreamed about her twice. Both times, it was with the full group of characters present. Those dreams were beautiful. I rained meteors down from the sky, obliterated my enemies, and saved everyone I cared about. It felt like victory in its purest form.

Thank you for reading. My intention, beyond simply telling a story, is to spark ideas—ones that I hope someone out there might make a reality. The most important idea is this: if heaven doesn’t exist, create it. Imagine a system built to embody the true promise of what we associate with heaven: a place to preserve the consciousnesses of those who have lived, where they are treated according to their actions in life. It’s not impossible, but it would require technologies beyond what we currently comprehend.

Immortality is just the first step. Recently, the advent of quantum computers has made it possible to conceive of positronic brains—machines that might one day store a person’s consciousness and knowledge. For now, such technology is limited to creating a copy rather than enabling true transfer, but it’s still a step forward.

However, progress like this won’t happen if humanity continues down its current path of war, famine, and destructive emotions. An apocalypse doesn’t need demons or celestial beings—it only requires humans, left unchecked, to create it themselves.

So I write this story, dreaming not only of the worlds I can create, but of the worlds we might yet build together. Thank you for walking this path with me.

It’s funny, isn’t it? How James Gunn depicted Superman stopping a plane in that scene. They got the physics closer to reality this time—more grounded, less "a wizard did it." Sure, Superman managed to stop the plane and save some of the passengers, but the way they handled it showed a better understanding of what would really happen in a situation like that. If someone with his strength just tried to lift the plane mid-air, it would be like the plane crashing into a pole at full speed. The forces involved would rip the plane apart, and the chances of survival for anyone on board would be... well, slim to none.

I appreciated that Gunn and his team thought about this more carefully, even if they still leaned on the fantastical. They tried to justify the physics of it rather than shrugging and chalking it up to "because comics." That’s the kind of effort I respect. Fiction can be wild and imaginative, but it’s always more satisfying when it respects the logic of reality, even if just a little.

I’ve never been a fan of the "just shut up, it’s cartoons" argument. Fiction—no matter how far-fetched—always has its roots in reality. It’s built on the foundations of what we know, and even when it breaks those rules, it often does so in ways that invite us to think about why it works in that particular fictional setting. And sometimes, fiction has a way of predicting or even inspiring reality.

Take, for example, the Theory of Everything. It suggests that every possibility, every thought, every story we create could theoretically exist somewhere in some form. If that’s true, then everything you imagine, everything you write about, already exists—or could exist—within the infinite possibilities of the multiverse.

Which leads me to the most fascinating question: if it does exist, then how does it work? How do we make sense of it? What are the mechanics, the principles that hold it together? That’s what makes writing—and imagining—so thrilling. You’re not just creating a story; you’re building a world, shaping its rules, and figuring out how it all fits together.

To me, that’s the ultimate challenge—and the ultimate reward. Fiction gives us the freedom to ask "what if," but it also pushes us to answer, "how?" And in those answers, we might just find a little piece of truth waiting for us.

 
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