Once a renowned figure in her old world, Leilani has been alive for five thousand years in her new one. sharing her knowledge with the many who had come to enroll in her academy, Imperia Academy.
From arrogant royals and nobles to commoners. human to demons and all the species in between. she has been teaching them all the same.
But what she wants most in her heart is a woman who could stay by her side, and that is something Leilani is still persistent to find to this day.
Most chapters are really enjoyable, a few chapters feel a little dull with the motive of "every person deserves a second chance to change themselves" (talking mostly about the field trip arc) but this story is a very good read.
The MC is overpowered, but she is kinda a god, so that is understandable, and it is always perfectly understandable when she uses or doesn't use her powers (even if I can't wait for the reveal).
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Novels like this are a mixed bag. The idea is good and the writing is also pretty good and yet the story lacks trust to the reader.
Long lore dumps talking at the reader from chapter one, an extremely thinly veiled 'event' to start the MC on their journey without actually factoring in the evidence for the company who decided to leave the briefcase and any number of issues, I find myself not really caring about characters dying early because I never got to know them, there is more backstory explanation than character development.
The story would be a lot more interesting if I was actually shown many of the things going on that are relevant to the story, yet characters with barely 5 or 20 dialogue lines are put in a position to 'save the MC' mentally in short form after a drastic, world changing event, of which there was no investment for the reader in.
Some characters who only get three mentions of their name in the entire book are suddenly included just to absolve the MC of guilt before disappearing. King Juble, despite the supposed importance of his existence and relation to known characters, is present for exactly six paragraphs before fading into the background. There is no reason for an audience to be emotionally invested in empty platitudes.
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